Over the next few weeks, we're going to be opening the floor here at the authonomy blog to some guest bloggers. They'll be tackling a range of subjects to do with authonomy - as well as publishing generally - which we hope you'll find interesting. This week we've asked one of our editors to write about her list and, more importantly, the kind of books she's looking for right now.
I’m an editor at Avon, the new commercial fiction imprint here at HarperCollins. We currently have three Avon editors in London crawling the authonomy site for fresh new talent. We launched in the UK in July 2007 and we publish books across the most popular genres, namely commercial women’s fiction and crime and thrillers, appealing to the supermarket book buyers as well as those on the high street and internet. Our slogan is ‘Escape the everyday with AVON’. As we are a recently formed imprint, we are actively looking for new and inspiring authors so the launch of authonomy has been fantastic for us.
At the moment we are looking to expand our crime and thriller list – we believe there are definitely slots for new voices in this genre, whether it’s a serial killer thriller, a police procedural or a historical epic. We have recently signed up Lee Weeks – she writes disturbingly addictive crime thriller fiction and is being hailed as the female James Patterson. Lee’s books have a real sense of place and her short, sharp and shocking chapters resonate with the reader long after you have put her books down.
We’re also keen to read high quality, atmospheric women’s fiction which transports us to either another historical period or sumptuous location. While there has been discussion on the value of books in today’s society, we strongly believe there is no substitute for getting lost in a good novel; therefore creating a sense of escape convincingly is one of the key things we look for in a book.
It is crucial that the blurb put forward is punchy and entices the readers; if an author can’t manage to write convincingly here, it doesn’t bode well for the book. When reading a manuscript it is extremely important that the first few chapters grab our attention and the concept itself is exciting. We look for a strong voice, in-depth and memorable characterization and a vivid sense of time and place.
The categories that are relevant to Avon are crime, thrillers and women’s commercial fiction, and books that fall into these categories are the ones we'll be looking out for on authonomy.
31 comments:
Dear Avon Editor,
One new and inspiring author to consider is Kate Kasserman.
Her title on Authonomy is called Independence. This epic novel is atmospheric - with strong women characters, which transports the reader very well, into this historical period at the time of the American Revolution.
The sense of escape for the reader is complete, within her prose that is similar in its steady elegance to Edward P. Jones's "The Known World."
So is this in addition to the top 5 monthly critique? Or have you already had a look at the crime/thrillers that have made the top 5 so far? Just curious (and not plugging my top 5 thriller that got such a good HC review, oh no ...)
If you're serious about the commercial nature of the books you want, perhaps you might try...
http://www.authonomy.com/ViewBook.aspx?bookid=2780
Dear Avon Editor,
My novel, The Sacrificial Man, has been submitted to you by my agent (Sara Menguc)and I am holding my breath for news...
I write `crime` fiction, but from the viewpoint of the killer, drawing on my personal experience from working in a prison.
I won the Debut Dagger in 2005.
I`m hoping that some time soon I can breathe out...
Ruth Dugdall
I would recommend 'Filthy Luca' by Sue Denholm. It's beautifully written, has real sense of brooding menace at its heart and, above all, is very original. It's definitely the type of novel that will stay with the reader long after they've finished.
You want a serial killer thriller, check out The Kult: http://www.authonomy.com/ViewBook.aspx?bookid=1470
Dear Avon Editor,
Have a look at this book
http://www.authonomy.com/ViewBook.aspx?bookid=1467
Of course I would love to promote my own, but it's the total opposite to what you're looking for.
'Tis a Shame.
This is a good addition to Authonomy. I'm sure you'll find some remarkable books which fit perfectly into the genre you publish.
Warm regards,
Anne
Hi there!
Thanks for taking the time to come and talk to us :). One of the things you said early on was this:
We currently have three Avon editors in London crawling the authonomy site for fresh new talent.
Does that mean there are real, live folks looking over stuff on an active basis? Or does that mean there are three editors that will be available when the top 5 are chosen?
Just wondering :). And, of course, we welcome both but the former makes me feel all tingly and maybe even a little giddy.
Thank you again :).
This is exciting news. You state that you're looking for "commercial women's fiction." There are several of us here whose work would fit that description, but the authonomy categories/genres do not include that as an option. Adding it would be helpful to writers, readers and editors. "Chick-lit" just isn't quite an accurate subscription, although many of us have selected that choice as the closest. Thanks for listening. Great site.
Dear Avon Editor
I see from your blog you're looking for commercial women's fiction, crime and thrillers. I think my book, 'Lying in Wait', is exactly the kind of story you're looking for. I aim to write entertaining stories to take readers out of their everyday lives - just what you're aiming for with Avon Books.
'Lying in Wait' has a main character readers will love, a strong supporting cast, an intricate and compelling plot and a satisfying ending.
Currently No. 6 on the Editor's Desk, you can find it at:
http://www.authonomy.com/ViewBook.aspx?bookid=1050
I hope you'll take a few minutes to read the opening pages, which I'm sure you will enjoy.
You want real crime fiction? You want serial killers? You want the real thing? Jihad Jim has form. He bumped off Prime Minister Harold Holt and now he's after President George W. Bush, the Great Satan himself. Jihad Jim is a professional. The anti-hero of the Day of the Jackal was only an amateur.
Dear Avon Ed,
My novel was written for the "Womens' Fiction" slot.
Sadly, there is no Womens' Fiction category here at authonomy.
And, being as Womens Fiction steps across several genre boundaries "Deadly Rivals" is unlikely to be read by those whom support and love reading Womens' Fiction.
Thanks go to Authonomy for at least providing opportunity to the great unpublished!
Dear Avon Editor,
Both of my books ('The Family Life of Brenda Greene', and 'Lay With Dogs'fit the commercial womens fiction category - both are climbing nicely in Authonomy's litfic, chicklit, crime and popcult charts.
I'd love it if you had time to take a quick peek!
Thanks a lot - Jill Fuller
Well, here's my opus:
http://www.authonomy.com/ViewBook.aspx?bookid=1319
It's crime and "woman-friendly".
Dear Avon Editor,
How about a historical 'love story' about the abandoned Roanoke colony? Written by a professional who has sold a three-book historical series (Calling Crow, Flight of the Crow and Calling Crow Nation, Putnam Berkley), White Seed tells the story of the ill-fated Roanoke effort. Major characters include: John White, Governor and water colorist, Captain Stafford, brave but brutal colonial guard captain, and Maggie Haggar, an indentured Irish serving girl. Maggie is not a feminist, of course, (this is 1587) but she is a strong young woman whose dire circumstances, independent streak, and deepest feelings, drive her to do what was unthinkable in the sixteenth century, give herself to the man she grew to love -- Manteo, the Croatoan savage who served as interpreter for the English colony. White Seed is not bodice-ripping fluff, but real heartfelt historical fiction, as true to its time and environment as can be and still appeal to modern readers.
you guys really need more women's LITERARY FICTION!!! I am so tired of stupid crappy chick-lit books for morons. Oh but morons do give money to the industry, so never mind.
Hello, could I spruik my own crime book Nine Dragon Town. I trust I'm not wasting your time as it is the result of a mentorship program with published crime writer, Garry Disher, who pronounced it of "publishable quality".
It features a canny, female Chinese police lieutenant in fast paced Hong Kong.
The feedback I've had is that that characters are memorable; the dialogue cracks back and forth as well as being laugh-aloud on occasions; and that the markets, triad dens and nightclubs of the region are vividly portrayed.
Each chapter is deliberately only 3000 words and they end with a cliffhanger.
I think your readers would find the fast paced action and gradually unfolding plot a great escape.
All the best and thanks for this great site.
David B
I see everyone is pumping their book here, so I might as well join them: http://authonomy.com/ViewBook.aspx?bookid=1320
But really, I have a question regarding the post: are you focused nearly 100% on womens' crime fiction, with emphasis on the women part? or all crime fiction?
The only way to get the yakuza and rogue CIA killers off her back was to follow the old man's map, and find the Buddha...
"Hunting Buddha" by Jame DiBiasio
My novel ticks all the boxes. It's a crime novel called A Means of Escape.
The blurb:
Three dead bodies. One abducted women. And a missing reality TV celebrity.
It’s November 2008. DC Kate Linton is part of the investigating team called to a gruesome discovery on Glastonbury Tor. The body of a young woman has been found. In the ground next to her corpse are twelve small holes surrounded by candle wax.
When Linton learns that identical holes were found next to the bodies of two women murdered at Avebury’s stone circle she is certain that this is the work of a serial killer.
Is this a case of human sacrifice or does the abduction of a local woman and the subsequent disappearance of a reality TV celebrity, mean that they are looking at something else entirely?
‘A gripping 'who-dunnit' full of twists and turns, suspects and red-herrings.’
‘Fast paced, very readable and with a sense of humour.’
I would be very grateful if you'd have a look. I'm halfway through its successor. Many thanks, Jo
I thought I'd add my own comment here as my book 'Writing the Town Read' most closely fits with 'commercial women's fiction'. It's not meant to be chick lit and happily some of the comments I have received on Authonomy confirm that it's not viewed as such but the main character is a young woman, and although I hope men will enjoy it as well it is probably more appealing to females.
http://www.authonomy.com/ViewBook.aspx?bookid=1034
I'm sure you've got plenty of books to look at right now but if you got a chance to review mine that would be great.
Thanks,
Kath
THE MIMESIS PARADIGM is an innovative, exciting global thriller written with the female reader in mind, yet, it packs all the right testosterone-laden punches at the same time. It is a feat of authorial, balancing magic. Find out for yourself by checking out THE MIMESIS PARADIGM.
"SOME THINGS MUST NEVER BE FORGOTTEN, EVEN IF THEY HAVE NOT HAPPENED YET."
Hi Avon Editor!
What I like about the authonomy site is that it’s the first step by publishers to embrace e-technology. It always struck me as archaic to have people snail-mail their proposals and query letters if a simple e-mail query would suffice. Publishers could then accept or decline via e-mail and (if accepted) the complete manuscript be sent through traditional post with a SASE.
Authonomy gives HC an advantage that no other publisher (to my knowledge) has yet. In business, it’s innovate or die, and HC proved that they’re willing to adapt to the times and evolve with the industry.
This interaction with the public sets HC and its imprints leagues ahead of the other dinosaurs.
Well done! If I had my way, each and every single book on this site would be considered for publication. There are some pretty neat stories on here...
How can I resist this opportunity? The point of Authonomy seems to be one large shameless plug fest anyway. At least that's what I've drawn from it so far.
So, here goes. My historical fiction crosses all sorts of genres including women's fiction.
Suppose King Arthur and Queen Guinevere had a daughter and she tells the story of her childhood to her son? In "The House of Pendragon: The Firebrand", Lin is raised from infancy as a slave of Morgause, Arthur's half-sister and mother of Arthur's son. Lin suffers intense abuse at the hands of her half-brother, Modred--who knows of their relationship. Determined and courageous, she refuses to call any man "master." Without a doubt, Lin is the Pendragon's off-spring and well-matched against Modred's cold cruelty.
Providing a new and feminine twist to Arthurian literature, THE FIREBRAND is not another "how Camelot was forged" novel. Neither is it a MISTS OF AVALON type fantasy. Lin's life parallels her father's--raised in obscurity, ignorant of their true and royal identities. Lin's issues of abuse and identity are important to women in our time as well as her own. I imagine that fans of Morgan Llewellyn, Sue Harrison and Anita Diamant will notice.
The 90K novel is complete. I would like to offer hard cover and mass market rights for it and take it in a new direction. it's time the world heard Lin ferch Arthur's story.
Debra A. Kemp
The House of Pendragon saga continues!
www.telltalepress.com/debrakemp
www.myspace.com/debrakemp
Icarus Rising - brave men and women find a thrilling solution to Global Warming.
Escape the everyday and learn how to escape a doomed tomorrow!
Hi. A really welcome addition to the site-irrespective of any personal gain! As has been said several times, there are some gems of novels for your team to review. My own - as we're in the business of self-promotion - might not 'tick all the boxes' but has a strong element of women's fiction in an authentic historical setting. Please take a look at http://www.authonomy.com/ViewBook.aspx?bookid=2228. Many thanks. MHM
Hi there, I read the guest blog with growing interest last week. Now I see my lovely co-Authonomists are plugging themselves so I'm back to add my little voice to the chorus.
Being an avid reader of contemporary women's fiction there are some great manuscripts here that I would buy if published. I've been encouraged by the feedback on mine, Deep Water - http://www.authonomy.com/ViewBook.aspx?bookid=1887.
It's in the top 20, and top 10 for literary fiction. An intriguing crime element frames the narrative of a love story that goes badly wrong. Mostly set in the Mediterranean, it's atmospheric with a double twist in the tale. I'd love you to take a look.
I am the author of 'Swedish for Beginners' a novel I would put in the commercial fiction genre, or contemporary women's fiction. It's about a young Irish woman who goes to Sweden to find the family of her late mother. It's set in Stockholm, Dublin and Australia.
It's currently number 25 over all on Authonomy, number 12 among literary fiction and number 4 in the romance section. I have received some amazing comments from fellow authors. I might add that I am also the author if four published (in Ireland) novels, the details of which you can find on my website: www.susanne-oleary.com
with best wishes,
Susanne O'Leary
Dear Arvon Editor
Your hardworking editors may like to put their feet up; and enjoy a Coffee At Kowalski's by clicking here.
Just a thought...
Miranda x
I have a chick lit novel on the site, http://authonomy.com/ViewBook.aspx?bookid=2404. Is it what you mean by women's fiction?
I'd like to know how an editor feels about my witchcraft novel. Officially a wise woman selling medicines and love spells during WW2 my mother joined a coven and had a whale of a time. I was offered to her Warlock at the age of six as a virgin sacrifice. Shoved hard towards him I cringed as she said 'take her she's my gift to you.' I've never forgotten her cruelty -although I forgave her because I thought she was mad. Teachers -doctors - policemen knew she was abusing me but still thought I was better off with my mother than in a children's home which says how tough they were then. My well suppressed anger bubbled to the surface twenty years after my mother died and I wrote about my childhood. Calling it imaginative fiction because these days no one believes in witchcraft. How well will this book do - feedback has been positive but some people won't buy daddy's little spy because they think it shouldn't have been written. How do you feel about this subject. Will it ever get taken on by a mainstream publisher? I'll have to wait and see. chickdaniel.
Post a Comment